Says Craig Mitchell (Dip AA): 'Nowadays on larger projects you’d have a facade specialist, amongst many
other specialists, to whom the architect's historic role is
relinquished. You don’t need an Architect to build a building. The
architect works on the peripheries of projects, more removed from the
process. Specialists in their field work towards optimisation, even in a
design capacity they might become obsessed with generating the perfect
swoop, the perfect parametric hard line.I don’t really subscribe to
this. Hand drawing and physical model-making give you access to
imperfect surfaces, which are crucial to my project’s proposal. Through
making or drawing something, you have a deeper understanding of scale
and its implications. If they had been perfectly smooth, computer
generated, calculated surfaces, they would have been much less tactile
than this ‘vernacular’ aesthetic that I was interested in generating' - 'I found it so interesting to draw and design like that. I was exposed to
the work of other units during my time at the school who have a very
precise way of drawing, based in plan and section, more historically
typical of professional architectural drawing. But then I was thinking
about how space could be produced in a totally different way, that freed
me from a prescribed way of drawing. Source: https://www.aaschool.ac.uk/news/craig-mitchell-winner-of-the-nicholas-pozner-prize-for-drawing-discusses-drawing-photogrammetry-and-architectural-representation
Saturday, 12 September 2020
Design representation: Perfection and imperfection
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